A notable shift towards a historicist reading in literary criticism is marked by which author’s analytic approach, blending theological perspectives with literary critique, thus influencing modern historicism?
1
Thomas Carlyle in "Sartor Resartus"
2
John Ruskin in "Modern Painters"
3
Matthew Arnold in "Culture and Anarchy"
4
Alfred Lord Tennyson in "In Memoriam"
5
Question Not Attempted