Within "Ode to the West Wind," how does Shelley’s personification of the wind as a “destroyer” and “preserver” function as a nuanced metaphorical critique of Enlightenment ideals about progress and rationality?
1
By presenting the natural world as indifferent to human enterprise.
2
By portraying progress as both creative and destructive.
3
By challenging the notion of progress as inherently rational.
4
By equating natural cycles with historical inevitabilities.
5
Question Not Attempted