In J.M. Coetzee's "Foe," how does the metafictional narrative subvert the authority of Daniel Defoe’s "Robinson Crusoe" and problematize the notion of authorship and storytelling in a postcolonial context?

1
By faithfully adhering to the plot and characters of "Robinson Crusoe."
2
By introducing a female character who questions the legitimacy of Crusoe's narrative and offers alternative perspectives.
3
By maintaining Defoe’s original text uncritically.
4
By focusing solely on the relationship between Crusoe and Friday without questioning narrative control.

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