Stuart Hall's "Encoding/Decoding" model intricately details the process of media consumption. What advanced conclusion does he reach about the dynamics between media encoding and audience decoding?
1
Cultural hegemony is cemented through a static decoding process.
2
Decoding involves negotiation and resistance, displaying variegated interpretations based on social positions.
3
Media producers hold ultimate control over the interpretation spectrum.
4
Audience decoding follows a universal cognitive schema uninfluenced by social factors.