In which text does the argument for a ‘totalizing’ aesthetic experience encompass both the sublime and the beautiful, subtly shifting the focus from mimesis to the reader's reception and experience?
1
Aristotle’s "Poetics"
2
Longinus’s "On the Sublime"
3
Horace’s "Ars Poetica"
4
Immanuel Kant’s "Critique of Judgment"
5
Question Not Attempted