In Shastraic studies, how does Mammata in 'Kavyaprakasha' define the role of 'Utpatti' and 'Abhivyakti' regarding Dhvani's role in poetic compositions?
1
Utpatti is the origin of emotions, Abhivyakti is their cultural expression
2
Utpatti arises from primary emotions, Abhivyakti from secondary emotions
3
Utpatti is the creation of meaning, Abhivyakti is the realization in the audience
4
Utpatti is the poet's intent, Abhivyakti is audience's reception