In Raymond Williams' analysis of the 'structure of feeling,' how might a Marxist critic interpret the emergence of new literary forms in early 20th-century modernist literature?

1
As isolated artistic movements detached from socio-economic contexts
2
As manifestations of the prevailing cultural hegemony
3
As expressions of emergent social identities and contradictions not yet fully articulated in the dominant ideological framework
4
As nostalgic returns to pre-industrial modes of thought

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